| Like many artists who use cultural and ethnic heritage | | | | American history. Aaron Douglas went on after |
| as an inspiration for their art, modern African American | | | | painting his magnificent murals to inspire others |
| art often has strong roots in Africa. For many African | | | | interested in modern African American art at Fisk |
| American artists, the Southern region of the U.S. also | | | | University. His influence can be felt in the art world |
| represents a huge emphasis on the composition and | | | | even now, 27 years after his death. |
| subject of their work. There is a growing awareness | | | | One female African American artist who strongly |
| of this unique form of expression and of the artists | | | | affected the modern African American art scene is |
| who create the works. For many years African | | | | Clementine Hunter. She didn’t begin painting until |
| American art has been tagged as crafts and seriously | | | | after the age of 40. Her work is simple and two |
| under appreciated. Fortunately that trend is changing | | | | dimensional, depicting Southern life through her eyes. |
| and people from all ethnic backgrounds and lifestyles | | | | Many consider her to be one of the most important |
| have more opportunities to view and learn from | | | | artists to come from the South. Her African American |
| modern African American art. In order to more fully | | | | painting was first recognized in the 1950’s and |
| appreciate these artists, it is important to take a look at | | | | continues to inspire. |
| some of the African American artists who paved the | | | | Regardless of the media and subject chosen, modern |
| way. | | | | African American art is finally receiving the attention |
| Henry O. Tanner (1859-1937) is best known for his | | | | and acclaim it deserves. Thanks to the many |
| painting “The Banjo Lesson.” Initially his work | | | | exceptional artists who gave the world a picture of |
| reflected the black experience and his impressions of | | | | the little talked about culture from which they came, |
| that life. Later in life he added more to modern African | | | | young up and coming African American artists have |
| American art with his works of religious influence. Mr. | | | | an easier road to follow to receive the recognition they |
| Tanner made several trips to the Holy Land to find | | | | deserve. Great things can come from the lessons of |
| inspiration for his art. | | | | these past artists. |
| As can be expected, the American era of slavery | | | | Mr. Moyo Ogundipe has a Bachelors of Arts degree in |
| often plays a large part in modern African American | | | | Fine Art from the University of Ife, Ile-Ife, Nigeria and a |
| art. This is certainly true of Claude Clark’s work. A | | | | Master of Fine Art degree in Painting from The |
| Georgia native, he has styled his work with strong | | | | Hoffberger School of Painting, Maryland Institute |
| Southern and African themes. His style is direct and | | | | College of Art, Baltimore, USA. |
| the intention of his work is clear. One of his most well | | | | One of Africa’s most celebrated and renowned |
| known paintings “Slave Lynching” is an obvious | | | | contemporary African American artist, Mr. Ogundipe |
| commentary of the social climate of the slavery era. | | | | has exhibited extensively in Africa, Europe and the |
| There is unlikely to be an art lover who has never | | | | USA. His paintings have been described as hypnotic, |
| heard of the Harlem Renaissance. Aaron Douglas did | | | | colorful and densely patterned. |
| some of his finest work in that period. The murals of | | | | In 1996, Mr. Ogundipe was awarded the |
| the Harlem Renaissance are popular and some of | | | | Pollock-Krasner Fellowship. And in 2005 he was invited |
| Douglas’s work can be seen in libraries and public | | | | to become a member of Africobra, an organization |
| buildings in this form. His favorite inspirations were | | | | founded in the 1960s and whose membership |
| important people and significant events in the African | | | | comprises of distinguished African-American artists. |